Campion never underestimates the power physical obsession exerts over human souls, and, for once, a modern film treats erotic passion honestly. The characters are stubborn and inward-looking, and it's the refusal to sentimentalise that makes this harsh tale of obsession so moving. The writer/director offers something more starkly, strangely beautiful than most costume dramas, and the whole film puts a fresh spin on the traditional love story. 191 of 195 found this interesting Share this Floras (Anna Paquins) name is never mentioned throughout the entire film. Campion's Gothic romance is notable for its performances and Michael Nyman's score. Dame Jane Campion became the first woman to win the prestigious Palme dOr at the Cannes Film Festival with this film, though she was unable to receive the award in person, as she was due to give birth. After attending film school in Australia and making several short films and two well-regarded features, New Zealand-born Jane Campion gained international acclaim as one of the most strikingly original writer-directors of the 1990s with her third feature, The Piano (1993), which became one of the iconic films of the decade. So, when Baines (Keitel), a neighbouring settler turned half-Maori, buys it, Ada agrees to give him piano lessons, unaware that he intends eventually to give her the instrument in return for small but illicit sexual favours. But when she arrives in New Zealand for an arranged marriage, her husband (Neill) insists the piano is too unwieldy to be carried from the beach.

She communicates with hand signs, and doesn't consider herself silent, thanks to the joy she takes in playing her piano. Nineteenth century Scotland: Ada (Hunter) hasn't spoken since she was six.

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