This eventually led to a job as an illustrator of pulp novels and associated magazines. Reinman eventually decided to start a freelance job as illustrator of posters, fashion images and advertising packages. 'Zambini the Miracle Man', from Zip Comics #17 (August 1941). For a couple of years he designed the lettering and covers of match boxes in a matchbox factory. Reinman originally worked as a neon sign artist and various low-grade jobs until he found a more artistic profession in New York. The rest of his family would soon follow his example in the years that followed. He showed great promise in drawing, but unfortunately the rise of Nazism motivated him to emigrate to New York City in 1934. His father was a real-estate agent and farm-produce broker. Joseph Paul Reinmann was born in 1910 in Germany and grew up in Pfiffligheim in a Jewish family. While most of his comics work was of a commercial nature he did create one notable and very personal comic story about his outrage over Nazism and Communism named 'Atrocity Story' (1952). He was one of the artists who drew Jerry Siegel's post-Superman project 'The Mighty Crusaders' (1965-1966), which would become a slightly more succesful franchise decades later. Later in his career, he was one of Jack Kirby's inkers on early issues of Marvel's 'X-Men' and 'The Incredible Hulk'. He worked on many early superheroes for MLJ Comics and All-American Publications during the 1940s, and then drew for many of the religious, war, western and mystery titles of Stan Lee's Atlas Comics line. Paul Reinman was a mid- to late-20th-century German-born American comic artist, who was active during both the 'Golden' and the 'Silver Age of Comic Books'.

Mighty Crusaders by Jerry Siegel